HoD Post - Chapter 1, Part 2

In part two, Marlow has finally reached the Central Station, and quickly immerses himself in his surroundings. When first introduced to this new setting, one may take note of Marlow’s child-like instincts of being overwhelmed with the new environment. He appears to have an obsession with of the people that he interacts with on this trip and at the station, from the white accountant to the brick maker and every character in between.

Throughout his encounters with the accountant, manager, and brick maker, one name reappears, Mr. Kurtz. Although Mr. Kurtz has not yet been physically introduced to the reader, we can only image how mysterious and influential of a person he must be. Ever character who Marlow meets has nothing to say but good things about Mr. Kurtz. He is described as an “exceptional man, of the greatest importance to the company,” and being a “remarkable person.” The general manager, even comments on how influential Mr. Kurtz is though he is set to take the manager’s position. Other depictions of Mr. Kurtz include his artistic ability, seen in the remarkable painting that is found to be dark and notable to Marlow. The painting, for me, is comparable between the darkness of the art and the darkness of the tone in the first chapter. This connection is further enhanced with Marlow’s perception and obvious reflection on the piece and it’s characteristics.

Although Marlow admits at the end of the chapter that he is not “very interested in him” (Kurtz), throughout the entire chapter ever occasion where his name is brought up brings perked ears and full attention to any dealings concerning this mysterious man.

Section two is also able to reveal Marlow’s comfortableness that is being gained as the story ventures on. Not only have his opinions of the African people appeared to change, but he begins to participate in acts influenced by pressure, perhaps, when confronted with others who raise interest in him and his connection with Europe (like the brick maker and rivets conversation). Has Marlow become too comfortable?